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<td>Kate Scelsa</td>
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<td>Kate Scelsa</td>
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<td>Very annoying how the author would yo-yo back and forth between making inane statements of genderism ("'Female' here should be understood as available to people of any gender, not a biological categorization." - quoted verbatim from the book) and then analysing how late stage capitalism contributes to feelings of inadequacy regarding one's body. If there's nothing wrong with you, then why transition? Hell, anyone who's known me long enough knows that I struggle with waves of severe dysphoria, but I've seen too many horrors of post-op complicatons to ever consider elective surgery for feelings that will likely fade once I start aging out of being able to "kin" pretty anime boys. (To anyone considering transitioning, I must ask you to consider - can you see yourself as an elderly person of the desired sex? Because choosing to live means growing old one day.) The author is too busy calling everyone with even a whiff of same-sex attraction "queer" to take this argument of bodily neutrality to its logical conclusion.</td>
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<td>Very annoying how the author would yo-yo back and forth between making inane statements of genderism ("'Female' here should be understood as available to people of any gender, not a biological categorization." - quoted verbatim from the book) and then analysing how late stage capitalism contributes to feelings of inadequacy regarding one's body. If there's nothing wrong with you, then why transition? Hell, anyone who's known me long enough knows that I struggle with waves of severe dysphoria, but I've seen too many horrors of post-op complicatons to ever consider elective surgery for feelings that will likely fade once I start aging out of being able to "kin" pretty anime boys. (To anyone considering transitioning, I must ask you to consider - can you see yourself as an elderly person of the desired sex? Because choosing to live means growing old one day.) The author is too busy calling everyone with even a whiff of same-sex attraction "queer" to take this argument of bodily neutrality to its logical conclusion.</td>
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<tr>
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<td>2024-W19</td>
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<td>Women in Old Norse Society</td>
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<td>Jenny Jochens</td>
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<td>If you can stand the stuffiness of the typical academic writing style, this is an excellent book baby pagans should read to dispel any rose-colored sentiments that everything in pre-Christian heathen societies was peachy before Jesus showed up.</td>
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</tr>
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<tr>
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<td>2024-W20</td>
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<td>How to Do Nothing</td>
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<td>Jenny Odell</td>
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<td></td>
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</tr>
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<tr>
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<td>2024-W21</td>
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<td>The Wave in the Mind</td>
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<td>Ursula K. le Guin</td>
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<td></td>
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</tr>
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</tbody>
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</tbody>
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</table>
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</table>
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</body>
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</body>
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<td>Lisa Hannigan</td>
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<td>Lisa Hannigan</td>
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<td></td>
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<td></td>
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</tr>
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<tr>
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<td>2024-W17</td>
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<td>The Medicine Show</td>
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<td>Melissa Etheridge</td>
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<td></td>
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</tr>
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<tr>
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<td>2024-W18</td>
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<td>Ceremonials</td>
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<td>Florence + The Machine</td>
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<td>Favorite track: <b>What The Water Gave Me</b></td>
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<td>2024-W19</td>
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<td>Breakdown</td>
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<td>Melissa Etheridge</td>
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<td></td>
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<td>2024-W20</td>
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<td>Coexist</td>
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<td>The xx</td>
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<td></td>
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<td>2024-W21</td>
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<td>Bear Creek</td>
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<td>Brandi Carlile</td>
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<td></td>
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</tbody>
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</tbody>
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</table>
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</table>
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</body>
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</body>
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# Books
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## Poetry
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=> tee.epub The Eschaton Eminence (2023)
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=> twine.epub The World Is Not Enough (2023)
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=> tyia.epub Three Years In Absentia (2022)
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=> mm_tac.epub Mori's Mirror and The Adoration Corporation (2022)
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=> h.epub Hydra (2021)
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=> mm_tpf.epub Mori's Mirror and The Poetry Factory (2021)
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## Fiction
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=> is.epub In Separation (2020)
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=> tvsc.epub The Viridian Shipping Company (2019)
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=> tdom.epub The Duality Of Mankind (2018)
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=> lw.epub Living Wasteland (2019)
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=> mby.epub Me Before You (2018)
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=> twlf.epub The White Line Fever (2017)
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=> tsf.epub The Samhain Files (2016)
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index.gmi
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# Welcome to MayVaneDay Studios!
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Language: en
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Author: Vane Vander
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