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Lesbian sideloads an app on-device on Android 16 (the snipers from Google will find me soon)

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Lethe Beltane 2025-10-19 21:39:46 -05:00
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index.html
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<div class="box"> <div class="box">
<h3>Announcement Box</h3> <h3>Announcement Box</h3>
<ul> <ul>
<li><b>2025-10-19</b>: <a href="https://files.catbox.moe/dxko8f.mp4">Hey, look, it's me sideloading an app on a phone running Android 16!</a> You know, the update where that's supposedly not allowed anymore...</li>
<li><b>2025-10-01</b>: <a href="https://ko-fi.com/s/648137aa42"><i>VALERIE</i> Issue 5</a> and <a href="https://web.archive.org/web/20251001151532/https://static1.squarespace.com/static/689af5c23b6c22648def13a7/t/68dd25488d7df01c9a548a48/1759323464380/TWV+Vol+1+Issue+4+In+Lieu+of+Flowers.pdf"><i>Total Woman Victory</i> Volume 1 Issue 4</a> are out now! <i>VALERIE</i> covers struggles between mothers and daughters, and <i>Total Woman Victory</i> honors our feminist foremothers, with a special focus on submissions by women in the Global South. Both, of course, are free to download and read.</li> <li><b>2025-10-01</b>: <a href="https://ko-fi.com/s/648137aa42"><i>VALERIE</i> Issue 5</a> and <a href="https://web.archive.org/web/20251001151532/https://static1.squarespace.com/static/689af5c23b6c22648def13a7/t/68dd25488d7df01c9a548a48/1759323464380/TWV+Vol+1+Issue+4+In+Lieu+of+Flowers.pdf"><i>Total Woman Victory</i> Volume 1 Issue 4</a> are out now! <i>VALERIE</i> covers struggles between mothers and daughters, and <i>Total Woman Victory</i> honors our feminist foremothers, with a special focus on submissions by women in the Global South. Both, of course, are free to download and read.</li>
<li><b>2025-08-13</b>: Friendly reminder that I have never paywalled ANY of my books and NEVER WILL. Anyone trying to sell you a copy of a book I have written is trying to scam you.</li> <li><b>2025-08-13</b>: Friendly reminder that I have never paywalled ANY of my books and NEVER WILL. Anyone trying to sell you a copy of a book I have written is trying to scam you.</li>
</ul> </ul>

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<td class="snippet">All that data has to be constantly assembled and analyzed, seamlessly, without being obtrusive to the individual. That means there should not be any manual logging on and off or active effort required. That's not so easy: for example, as I experienced firsthand, there's no method for capturing what food we ingest without manual entry via an app or website. When I did that for two weeks along with exercise and sleep (detailed in Chapter 11), my only solace was that it would only last for two weeks. Any AI coach that would be learning over a period much longer than days could not be predicated on users having to work to input their data.</td> <td class="snippet">All that data has to be constantly assembled and analyzed, seamlessly, without being obtrusive to the individual. That means there should not be any manual logging on and off or active effort required. That's not so easy: for example, as I experienced firsthand, there's no method for capturing what food we ingest without manual entry via an app or website. When I did that for two weeks along with exercise and sleep (detailed in Chapter 11), my only solace was that it would only last for two weeks. Any AI coach that would be learning over a period much longer than days could not be predicated on users having to work to input their data.</td>
</tr> </tr>
</table> </table>
<br>
<table class="m">
<tr class="info">
<td>Human Compatible</td>
<td>Stuart Russell</td>
<td>Casual</td>
</tr>
<tr>
<td class="snippet">Focusing on raw computing power misses the point entirely. Speed alone won't give us AI. Running a poorly designed algorithm on a faster computer doesn’t make the algorithm better; it just means you get the wrong answer more quickly.</td>
</tr>
</table>
</div> </div>
</body> </body>
</html> </html>

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<td class="snippet">Many girls remain silent when abused because they want to be nice. Many girls spend too much time trying to be "nice" to people who do them harm. Many girls think of the "feelings" of those who are hurting them. This is the catastrophic consequence of likeability. We have a world full of women who are unable to exhale fully because they have for so long been conditioned to fold themselves into shapes to make themselves likeable.</td> <td class="snippet">Many girls remain silent when abused because they want to be nice. Many girls spend too much time trying to be "nice" to people who do them harm. Many girls think of the "feelings" of those who are hurting them. This is the catastrophic consequence of likeability. We have a world full of women who are unable to exhale fully because they have for so long been conditioned to fold themselves into shapes to make themselves likeable.</td>
</tr> </tr>
</table> </table>
<br>
<table class="f">
<tr class="info">
<td>Invisible Women</td>
<td>Caroline Criado Perez</td>
<td>Casual</td>
</tr>
<tr>
<td class="snippet">Actually, a belief in meritocracy <em>may</em> be all you need - to introduce bias, that is. Studies have shown that a belief in your own personal objectivity, or a belief that you are not sexist, makes you less objective and more likely to behave in a sexist way. Men (women were not found to exhibit this bias) who believe that they are objective in hiring decisions are more likely to hire a male applicant than an identically described female applicant. And in organisations which are explicitly presented as meritocratic, managers favour male employees over equally qualified female employees.</td>
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</tr> </tr>
</table> </table>
<br> <br>
<table class="f">
<tr class="info">
<td>Art Above Everything</td>
<td>Stephanie Elizondo Griest</td>
<td>Casual</td>
</tr>
<tr>
<td class="snippet">Early exposure to the arts is becoming increasingly rare in the United States. Budget cuts and the rise of standardized testing have gutted arts programming across the nation. Fewer than half of our high schools offer formal theater instruction anymore. Only 16 percent offer dance classes. Not only are we jeopardizing the future of art by failing to invest in our next generation of practitioners; we are also depriving young people of outlets for self-expression, for confidence and consciousness-raising, for healing, for joy, for fun.</td>
</tr>
</table>
<br>
<table class="f">
<tr class="info">
<td>Funny Weather</td><!-- THIS BOOK SUCKS!!! -->
<td>Olivia Laing</td>
<td>Casual</td>
</tr>
<tr>
<td class="snippet">The other day I read a tweet from a journalist defending people who write gutter pieces by saying: 'Journalism is a dying industry and writers need to pay their rent. We're certainly not rich enough to choose our morals over the need to survive.' I could imagine Derek laughing at that. His whole life was a refutation of her shabby logic. Imagine thinking morals are a luxury for the super-rich!</td>
</tr>
</table>
<br>
<p><a class="button" href="#moids">&gt; Show books by men too?</a></p> <p><a class="button" href="#moids">&gt; Show books by men too?</a></p>
<div id="moids"> <div id="moids">
<p><a class="button" href="#">&gt; Aahh! Never mind!</a></p> <p><a class="button" href="#">&gt; Aahh! Never mind!</a></p>
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<td class="snippet">Poets are alchemists of nothingness. They aspire to turn silence, nothingness, absence, into something palpable. To do so, they must first engage in some ritual of refusal. Only through some turning away, be it extreme or small and temporary (closing the door, shutting off the phone and Internet, refusing to respond to e-mails or to do anything usually considered productive at all), does the poet prepare.</td> <td class="snippet">Poets are alchemists of nothingness. They aspire to turn silence, nothingness, absence, into something palpable. To do so, they must first engage in some ritual of refusal. Only through some turning away, be it extreme or small and temporary (closing the door, shutting off the phone and Internet, refusing to respond to e-mails or to do anything usually considered productive at all), does the poet prepare.</td>
</tr> </tr>
</table> </table>
<br>
<table class="m">
<tr class="info">
<td>The Virtues of Poetry</td>
<td>James Longenbach</td>
<td>Academic</td>
</tr>
<tr>
<td class="snippet">One of the great advantages of the English language, as a medium for poetry, is its multiplicity of roots: we are used to hearing our original Anglo-Saxon words nestled against imported French or Latinate words in our poetry. Shakespeare: "seas incarnadine." Blake: "invisible worm." If we find this effect in English translations of Baudelaire or Dante we are hearing something that poems written in French or Italian cannot easily do, since those languages are derived more primarily from Latin alone.</td>
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</div> </div>
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